#Spectre film facebook professional#

There are so many, but we always have some kind of powder or mattifying product to keep the shine away (like MAC Prep + Prime Transparent Finishing Powder, $26), or we need sweat to spray them to keep them sweaty. She’s one of those actors who’s fearless, very confident. I dyed her eyebrows very dark it gives a really strong look. There’s a scene where she is very dressed up and has quite a glamorous look, and it’s quite a good contrast with the rest of the movie.

Sometimes makeup can be a bit of an obstruction or distraction and he wanted it to be very open. She’s a character who has a lot of depth, it’s written in the film.

#Spectre film facebook professional#

There are times when she’s wearing a little bit of makeup when she’s in a professional situation, but it’s very light because he wanted to see what was going on with her. Lea Seydoux actually has quite a natural look - Sam wanted her to look very fresh and natural. It must have seemed easy to do everyone else’s makeup after that! Tell us about the lead Bond woman this time around. Mexico was the most challenging logistically - creatively challenging in every possible way, and incredibly rewarding when we pulled it off. We had to use makeup that would stay on in the heat and long shooting hours, so we used MAC Chromacake ($27) and airbrush makeup so it lasted well. We got through it in two and a half hours, which was a miracle. On the day of we had 120 makeup artists and dressers - apart from the few from the UK we used Mexican hairdressers and makeup artists and they were phenomenally good. At the end of each day I was getting hundreds and hundreds of makeup to approve. Every day they’d email me every image of every makeup they’d done, and I gave notes or approval on each. They started makeup fittings with the costume fittings, so everybody was made up before we shot them. I sent a team of five makeup artists from the UK who I work with a lot a ton of references and a very strong idea of what I wanted.